Jun 22, 2011

Three Crime Fiction writers - 1 character- THE PUNISHER Volume 6

In the last few years a number of our favorite crime fiction writing dudes have been branching out into comics.
One book that a number of them have worked on is THE PUNISHER from marvel comics.

They have collected the various issues all into one lovely and large hardcover edition THE PUNISHER VOLUME 6.  (Amazon has it at a wonderfully affordable price of $24.26)

Hurwitz, Gischler and Sweirczynski aside from having hard to spell names each have a different take on the character and they were able to inject their own writing sensibilities into the runs they did on the comic.

Hurwitz does a tale that is similar to the actual Juarez Murders, set in Mexico the Punisher stands up for the little guys and gets some payback for people who can't on their own

Victor Gischler take ol' Frank Castle down the the Bayou in a twisted Punisher version of Deliverance. Good Ol' boys getting their asses handed to them in a swamp, FUN STUFF!

And Duane Does a wonderful race the clock story which bring Frank to Duane's stomping grounds in Philadelphia.Another classic crime fiction spin to a Punisher tale.

If you dig crime fiction and or/dig the Punisher you need this book.

Go get yourself some Here!

Jun 3, 2011

Michael Koryta , THE RIDGE & More





I'm not afraid of the dark
When the sun goes down
And the dreams grow teeth
And the beasts come out
Cast their long shadows
Every time that they start
I'll be right here with you
I'm not afraid of the dark
Josh Ritter




Michael Koyta’s strength as a story teller is well known. From TONIGHT I SAID GOODBYE to THE CYPRESS HOUSE his words have spoken to the readers with a distinct voice that continues to whisper at you long after the book is done.THE RIDGE is a journey into the impossible made real by one of today’s best writers.

“What would you prefer, Murder or Suicide?” A challenging question uttered to Chief Deputy Kevin Kimble by Wyatt French .

“It will be very important to keep the light on after I’m gone.” Wyatt’s words for reporter Roy Darmus.

As one Sentinel closes for good another is about to become necessary in Sawyer County. There’s something happening out at Blade Ridge. The stakes are high. The past and the future stalking the present like a lion upon his prey.

Wyatt French lives on the edge of town. For years he’s been the town eccentric; living in a lighthouse in the middle of the woods, drinking by day and holing up in his abode by night. When Roy arrives at Wyatt’s to check up on him, the lights are about to go out and the narrative to begin in earnest.

Koryta pulls you into a story that will unlock a deeper part of your imagination with every page. This writer’s well known sense of place is finely honed. Blade Ridge is a little slice of Kentucky. A failed mining hub of the 19th century that has become a sleepy hollow of the 21st, Blade Ridge is pulsing with an evil that is timeless. Wyatt’s closest neighbor is a big cat rescue center. Audrey Clark and her team rescue abused cats, feed them and give them a life.
Photographs and memories aren’t all that Wyatt leaves behind. Kimble, Darmus and Clark will have to solve the puzzle of the Ridge soon. It’s a matter of life & death.
Koryta’s abilities as a writer have grown since that first book. THE RIDGE is a brilliant piece of craftsmanship that will captivate both crime fiction and horror readers. THE RIDGE is a place as real as King’s Derry, as singular as Jackson’s Haunted House and a puzzle as honed as McDermid’s A GRAVE TATTOO.
Read it & keep the light on..

I cannot recommend this book highly enough. I'm in fact quite fond of the author's entire body of work. He recently said to Alafair Burke in a q&a that he really hoped all of his readers would enjoy the novel but he knew he was writing a different kind of book. That it was important to continue to evolve as a writer. You done good Michael.

I was fortunate to be introduced to Michael Koryta at a convention in 2003. He was attending because his "first" novel, TONIGHT I SAID GOOD-BYE had won the coveted St. Martin's/PWA First Novel contest. A wonderful mix of a PI partnership, an introduction to side characters we'd come to love and a case guaranteed to break the heart, TONIGHT I SAID GOOD-BYE also had a glimpse of the Koryta we'd see in later books. On a deserted beach three people fight for their lives. The scene is vivid, the chill from the ocean feels real and the backdrop of a deserted amusement park adds to the eeriness. The bullets fly.

So yes I'm a fan. I would declare myself to be a protective fan even. When Koryta took a year off from the Joe Pritchard/Lincoln Perry series to write his first stand-a-lone I was a little leery. ENVY THE NIGHT set my mind forever at rest. A story about fathers and their children, sins of the past catching up to the now, ENVY THE NIGHT was not only a great read, it was so structurally sound my high school English teacher would have loved this book for the symbolism and themes. she'd have found passages of "succinct character development".

In 2009 at the Indy Bouchercon we found out that Michael was going to release his next three books in One calendar year. Write every day. Koryta is a firm believer in this mantra. Three books in one year?

SO COLD THE RIVER, winner of the LA Times Best Mystery of the Year contest last year blew me away. The story of a film maker shortchanged by temper and his chance to get back not only his career but his wife stepped into the world of the unknown. The base of the story steps into the past, to a time when the Rockefellers vacationed in West Baden and everyone drank the water. The Pluto Water. The book has had a remarkable staying power with me. Just last month when the horror of Joplin hit, I could not help but think to myself, "They needed Annie.". If you've read the novel you'll understand. If you haven't put it on your reading list.

CYPRESS HOUSE arrived just a few months ago it seems. Set in Florida during the great depression. It is the story of a man who sees death coming, the boy he's taken under his wing and a woman with a whole lot of trouble on her hands. As good as I believe SO COLD THE RIVER to be, CYPRESS HOUSE is probably better. The atmosphere surrounding the novel is like the low pressure front before a hurricane and you are about to be blown away. It is a book so visually exciting that I'm entirely jazzed by the news from Hollywood that Christopher Columbus and 1492 films has acquired the rights to interpret the book for the screen. Koryta has given them a storyboard as clear as any graphic novel but with atmosphere only a seasoned veteran with talent to spare could possibly manage.

It's been quite a year for Koryta. It's been an even better year for his readers.

Jun 2, 2011

THE TWO DEATHS OF DANIEL HAYES

Marcus Sakey. Not too many years ago this author took a leap of faith and sat down to write his first novel , THE BLADE ITSELF. One of the last decade's most well received debuts, Sakey immediately found a place on the shelves of Crime Fiction fans. Well crafted thriller plots set with the back-drop of his hometown, Chicago and the soul of the traditional mystery have quickly expanded this writer's fan base.

This weekend he'll be debuting his new novel at Printer's Row in Chicago. If you're in the area and don't have plans stop by the main stage and pick up a copy. There's a rumor he's buying the beer. Do you live elsewhere? Put this book on your list.

None other than Lee Child declares Marcus Sakey to be one of the "New Voices quickly becoming an old favorite." Michael Connelly declares the book to be, " A tight, intuitive and terriffic read"

With a drop date of June 9, Sakey is about to expand his audience. THE TWO DEATHS OF DANIEL HAYES opens on a beach in Maine. Our Protagonist doesn't remember why he's there or who he is. He's naked and close to freezing. The first clues to his identity are a car and a gun.

Inexplicably drawn to L.A. ,the man heads to California with the police on his tail. The trouble is just beginning. Who is this man with no memory? Will he have a chance to answer the question of why he was on that beach to begin with before he loses his freedom?

Sakey parses out snippets of this story as bits of memory return to his hero's past. It is a story of one man and an all to public personal life. The story of a marriage that reached for the stars. Did it crash to earth? Are we reading into the mind of a killer or the heart of a victim?

Every note of cadence in this novel is hard rock, the sound that reverberates to the reader drawn out like a Slash solo. There is no good place to stop for a breath during this read. That is a testament to story.

On a cold day in January I sat down to Sakey's latest, THE TWO DEATHS OF DANIEL HAYES and I had a moment. This is a young writer who owns his words, every one of them. Kudos Mr. Sakey, your dream has arrived and readers everywhere will be better for it.


For the next few weeks, I'll be highlighting some of this summer's books. I need to begin with a disclaimer. The books I'll be talking about are books that I have enjoyed, books that have made me marvel at the author's talent. The wonder of Crimespree is that there really are too many books in the sense that I haven't read nearly everything I intend to read this summer. Forgive me if I come late to the party on a few. I also have a huge advantage over the average reader in that I am gifted of many books. My book budget is nicely supplemented by kind hearted publishers who hope to gain exposure for their product in our Magazine. So once again, I'll suggest that anyone who read's this blog or any "best of"list use it as a guideline and not an absolute. A trip to a well stocked bookstore, just you and the flap copy is always the best way to find the perfect fit between you and a book.

May 20, 2011

2011 MWA University Schedule - Registration is Open

MWA LogoHoriz


We are pleased to announce additions to our 2011 MWA University Schedule - Registration is now open.

For details about MWA University, visit this link


MWA University - Waukesha, Wisconsin - Friday, June 17, 2011

Location:  
University of Wisconsin Waukesha
Northview Hall – Room N133 – Main Level
1500 N University Dr
Waukesha, WI 53188

Class/Instructor:  After the Idea - Jess Lourey
                            Dramatic Structure & Plot - Hallie Ephron
                            Setting & Description - John Galligan
                            Character & Dialogue - Megan Abbott
                            Writing as Re-Writing - Reed Farrel Coleman
                            The Writing Life - Hank Phillippi Ryan

Campus Map:  www.waukesha.uwc.edu/About-UWW/Directions-Maps.aspx
We have arranged for a discount at the Marriott Milwaukee West - $95/per night.  Reservations must be made via the link below.  The heavily discounted rate will only be available until June 6, 2011:
http://www.marriott.com/hotels/travel/mkemw?groupCode=sewsewa&app=resvlink&fromDate=6/16/11&toDate=6/20/11

Registration Form



MWA University - New York - Saturday, August 13, 2011

Location: Fordham University School of Law
McNally Auditorium – Atrium Level
140 W 62nd St (between Columbus & Amsterdam Avenues)
New York, NY 10023

Class/Instructor:  After the Idea - Jess Lourey
                            Dramatic Structure & Plot - Hallie Ephron
                            Setting & Description - Daniel Stashower
                            Character & Dialogue - Cordelia Frances Biddle
                            Writing as Re-Writing - Reed Farrel Coleman
                            The Writing Life - Hank Phillippi Ryan

Map of Area:  http://tinyurl.com/6f2d3t2

Registration Form



MWA University - St. Louis - Wednesday, September 14, 2011 (the day before Bouchercon begins)

Location:  Holiday Inn Select – Downtown St. Louis
Washington & Broadway Rooms
811 N 9th St
St. Louis, MO 63101

Class/Instructor:  After the Idea - Jess Lourey
                            Dramatic Structure & Plot - Hallie Ephron
                            Setting & Description - John Desjarlais
                            Character & Dialogue - Vicki Stiefel
                            Writing as Re-Writing - Reed Farrel Coleman
                            The Writing Life - Hank Phillippi Ryan

Map of Area:  http://tinyurl.com/3b79f3m

Registration Form



MWA University - New Orleans - Saturday, October 1, 2011

Location:  Hotel Monteleone
Vieux Carre Room
214 Royal St
New Orleans, LA 70130

Class/Instructor:  After the Idea - Jess Lourey
                            Dramatic Structure & Plot - Hallie Ephron
                            Setting & Description - David Morrell
                            Character & Dialogue - Julie Smith
                            Writing as Re-Writing - Reed Farrel Coleman
                            The Writing Life - Hank Phillippi Ryan

Map of Area:  http://tinyurl.com/64tcoxr 

We have arranged for a rate of $159/per night at the hotel (includes a continental breakfast).  The rate will cover the following date range:  September 29 - October 2, 2011.  Reservations must be made by September 23, 2011.  Reservation link to hotel will be available soon.

Registration Form

May 4, 2011

The Boxer by Sean Monaghan


Due to a production error, the short story in the latest issue got cut off. We are posting it here so you can read the WHOLE story.
Jon


The Boxer By Sean Monaghan
 

Tony bounced on his toes, grazed knuckles still in front of his bruised eyes.  Rodriguez lay on the mat.  The referee grabbed Tony's hand, holding it aloft.  Tony hadn't even heard the count.
There were some muttered cheers, but Tony just went to the corner and let Perry damp him down.
"Mr Armitage is here," Perry said.
Tony glanced around, saw Armitage and Drexler.
"You did good tonight," Armitage said.
"Fifteen hundred," Tony said.  A few more fights and he'd be clear.
"You do win quite often,” Armitage said as they walked to the locker room.
"I guess,” Tony said.
"I’d pay you well to take a fall."
"You’ve told me that before."
Armitage laughed.  "Yes I have.  Well then, how would you like to resolve your situation, tonight?"
"I don't understand."
"Repay the debt.  In full."
"He shouldn't fight any more," Perry said.  "Not tonight."
Armitage waved his cigar.  "No, not fighting.  Another little job for me."
Tony nodded.
He got cleaned up and Drexler drove them out of the city, down towards the Cape.  A small town Tony had never visited.  Since fleeing Oregon, he'd hardly been out of central Boston.  Drexler parked the Limo in front of one of the clapboard villas on a street filled with similar colonials.
Armitage put out his cigar.  "Two houses along," he said, handing Tony a key and a small flashlight.  "Number thirteen sixty eight."
Tony took the things.
"This requires discretion," Armitage said.  "Can I count on you for that?"
"Discretion?"
"I gave her some expensive jewelry and I want it back."
"You can't ask her?"
"Ah, Tony, there's my problem.  She ended our relationship, fearing for her child and marriage, I suspect."
"Couldn't you-"
"Tony, this is a delicate situation.  The jewels are in her top drawer.  The dresser is obvious, her room - their room - is the second door past the top of the stairs.  You'll be in and out in a couple of moments."
"I don't know, Mr Armitage."  Breaking and entering sounded risky.
"A few minutes.  They aren't home.  You understand why I can't go in."
"I ..."
"And your debt will be erased."
Tony nodded.  Wiping eighty thousand was taking a long time.  For a while the fights had barely made interest.  Now he was getting close, but the sense of ending it buoyed him.  He looked at the key.  "Front door?"
Armitage nodded.  "Dresser drawer.  Second door.  Top of the stairs.  No one home."
"Alarms?"
"None.  It’s a quiet, sleepy town.  See you in a few minutes."
Tony stepped out onto the sidewalk and went along to the house.  There was a twin seat swing on the front porch, beside an aluminum table with an empty coffee cup.  The key turned in the lock.
Tony went across the threshold, clicked the flashlight on.  Stairs with a rodded mat.  On the wall there were photos of scuba divers and fish and whales.  A toddler in a bathing suit running across sand.
He jogged up the stairs, went to the second door.  There were more photos, but Tony didn't look.  He darted the flashlight around the room.  Closet, bedside tables with lamps, rumpled bed, dresser.  He hauled the drawer out, wondering how Armitage knew exactly where the jewels were.
Rifling through smalls Tony didn't find anything.  Growling he emptied the drawer onto the floor, shining the flashlight through the woman's underwear.  Nothing.
Something wasn't right.
Tony opened the next drawer.  Socks.
A toilet flushed in the en suite.
Tony yanked out the drawer and tipped it over.  Something clunked to the floor amongst the spilling socks.  The jewels.  Reaching to pick them up, he felt a pistol.
The light flicked on and someone screamed.
Tony put the gun up on the dresser and backed away from her.  The jewels weren't here anyway.  Armitage had been wrong.
The woman hurled a book at him, then the bedside lamp.
"Hey," Tony said.  "I'm just collecting the jewels."
"Get out," she was holding up a pillow as if ready to smack him.
Her eyes flicked to the gun and Tony almost picked it up again.  "Sorry," he said.  "I didn't mean any trouble."  He would have to keep on with the fighting to clear the debt.  He had a feeling that Armitage wasn't going to make it easy for him.
Wide-eyed, the woman clutched the pillow.
"Mom," someone called out from the hallway, and a light glowed on behind Tony.
"Go back to bed honey," the woman said.
Tony saw that she was shaking.  He could tell why Armitage had taken up with her, full blond hair, light eyes, trim figure.  She looked at the gun again and he knew he couldn't leave it behind.
As he reached out, another hand slipped over the pistol.  Tony looked up to see Armitage.  "Hello Tony," he said.  "No jewels?  Oh well.  Hello Claire."
Armitage had gloves on.  Tony knew his own prints were on the gun.
The woman's face narrowed to a scowl.
"Where is it, Claire?"
Tony realized that Armitage hadn't known where the jewels were, but must have known about the gun.
"Spent," the woman said.  "You knew it would be spent."
Someone raced along the hallway and crashed into Armitage.  He staggered.  Twisting, he fired.  The sound made Tony jerk.  The woman screamed again.  A girl, perhaps fifteen, collapsed to the floor.  Blood blackened the carpet under her in a growing stain.
"Daphne."  The woman dove, shoving Tony aside.  She scooped the dying girl up, clutching her close.  "Bastard, you bastard."
"Claire," Armitage said softly.  "You know how this works.  I own you."
"I made a mistake.  My husband will be-"
Armitage shot her in the shoulder.  She fell back, the girl's body sprawling.  "Your husband is lucky he's not home.  But I will, eventually, be collecting from him."
The woman's face shifted from agony to sadness and then Armitage gave her a kill shot. 
"What the hell?" Tony said.      
Armitage removed the clip and clicked the bullets out into his palm, replaced the empty clip, then tossed the gun at Tony.  He caught it reflexively.
Armitage pocketed the bullets and turned to the stairs.  "Your debt is cleared," he said.  "You're free to go."  He glanced over his shoulder.  "But I have a feeling that your problems are just beginning."
Tony looked at the two bodies.  A set-up.
He jumped at Armitage, already halfway down the stairs.  Armitage buckled under him and they tumbled to the front door, the gun clattering away.
"Idiot," Armitage said, clutching a bleeding cheek.
Tony punched him.
Drexler appeared at the doorway.  "What the ...?"  He bent for the gun.
Tony jumped up, but Drexler was fast, had the gun in his hand, leveled at Tony.
"I'm being set up," Tony said.  He realized that Drexler had gloves, but hanging from his pocket, not on his hands.  Drexler was part of the set-up, but now his prints would be on the gun too.
Drexler tipped his hand and glanced at the empty gun.  He knew, Tony realized, from the weight.
Tony sprang and knocked Drexler down across the steps.  Armitage's man was tough, but no match for Tony's fists.
Tony stood up.  Sirens in the distance.
Armitage had lawyers.  No matter what Tony said, Armitage would walk, find himself another drudge boy, find someone else to take those falls.
And Tony would be in jail.  He wasn't going back there.  Ever.
Taking the keys from Drexler, Tony dragged Armitage over to the car.  He tossed the boss in the front seat, then sat behind the wheel.
It wasn’t going to work.
Tony leapt back out of the car, ran to Drexler and wiped the gun down.  He took the gloves and stuffed the gun into Drexler’s belt.
Back in the car, Tony edged into the access alley and crept across a few streets, letting the cops pass.  Once he felt clear, he fled to the freeway, then on across the bridge to the Cape.  Near Provincetown he found a seaward beach access.  He crossed the packed sand and stopped close to the water.
Armitage was still groggy, not quite conscious.  Tony climbed out and hauled him into the driver seat.  Then he went around behind the car and began pushing.  With the slope and the backwash he got it down.  Waves broke over the hood as the car drifted off, settling, then sinking.
Tony walked back across the beach, feeling light.  Whatever happened the debt was clear.  No more fighting, no more trying to avoid Drexler.  He watched the waves for a few moments, then turned to the dunes.  He had a long walk back home.  Wherever that was.